Originally written for Haywire Magazine. There’s a scene in Mass Effect 2 where Shepard is walking through the hallways of a prison, and passes a cell. Inside the cell is […]

Originally written for Haywire Magazine. Taylor Hidalgo feels that his behavior says a great deal about him, but most especially when he plays Patapon in public without headphones. Weeds drift […]

Originally written for Haywire Magazine. Taylor Hidalgo speaks too much, often saying not enough in the process. There’s a lot about a game’s story in the details. The details are […]

Originally written for Haywire Magazine. Taylor Hidalgo will pick building blocks over outdated magazines any day. The more complex games become, the more nuance and variance that seems to take […]

Originally written for Haywire Magazine. Taylor Hidalgo lives in a cold uncaring world, but wants to care all the same. Her voice is mechanical, blithely confident and utterly mocking. The […]

Originally written for Haywire Magazine. For Taylor Hidalgo, it’s about the journey, not just the destination. The old adage “Every road leads to Rome.” tends to very accurately apply to […]

Originally written for Haywire Magazine. Taylor Hidalgo can’t tell a carburetor from a crankshaft, but knows all about the gears turning in stories. There is a distinct difference between a […]

Originally written for Haywire Magazine. Taylor Hidalgo goes bump in the night sometimes, but mostly when he falls out of bed. Humans, at their core, aren’t really afraid of the […]

Originally written for Haywire Magazine. Taylor Hidalgo is meant to feel like the bad guy, but insists he’s been framed. Up to the day of its release, there are already […]